I'm
in the process of learning how to weave. As I've worked my way through the
learning curve, the phrase "weaving a story" has taken on a whole new
meaning. If you've never tried weaving, here are some of the highlights.
- The longest and most intense part
of the process is in the preparation.
- No matter how careful you are,
threads will get tangled, sometimes hopelessly, forcing you to cut them
out.
- Threads will twist when you least
expect it.
- If you don’t press hard enough on
the beater to keep the rows close together, you’ll end up with holes in
your work.
- It’s easy to get confused as to
which way you’re working, especially when you have to stop and pick up
your work later.
- When using a variegated thread
(as I am), you don’t know what the finished product will look like until
you’re finished.
Starting
a new project fills me with excitement and anticipation. Sometimes I get to a
point where I’m tired of the pre-process and just want to get to the writing. If
I skimp on my research, character development, or plot line, it’s not long
before I get stuck. Having to stop and do more research, brainstorm new ideas,
or sit down and have a heart-to-heart with my main character ultimately takes
longer than if I’d taken the time I needed in the preparation stage.
I
love my words and stories—as all of us do. I can go off on tangents or fill my
manuscripts with words and scenes I think are beautiful and marvelous. But when
I objectively look back, I discover a tangled mess. The only solution, painful
as it is, is to cut out the sections that do not contribute to the story.
Even
with all the planning in the world, my story occasionally takes an unexpected
twist. At times, this can add dimension and design. Or, I may find myself
trapped in a dead end. Then I must retrace my steps to where the twist happened
and fix it.
I
need to work consistently on a project. When I continuously pick it up and put
it down, I lose that momentum that causes a story to flow. That leads to holes
in the plot, disappearing characters, and forgetting where I was headed in the
first place.
At
times, like during NaNoWriMo, it can be fun, invigorating, and refreshing to just
write, not knowing how it will turn out until the end. While this approach does
contain some risk, the story may end up being worthwhile, or a piece whose
value is contained in the practice and the process. Either way, the joy is in
the journey.
I’m
convinced that whoever coined the phrase, “weaving a story” must have been both
a weaver and a writer. The parallels are inspiring. So, if you’ll excuse me, I
need to get back to my weaving . . .
Susan
Reith Swan is a freelance writer and editor who has loved St. Davids since
1991. In addition to writing, she can frequently be found crafting, knitting,
or snuggling with her Cavalier King Charles Spaniel while she reads. Check out
her blog, Li-tea-ra-ture at www.writingcygnet.wordpress.com.